Recent Comments
Category Archives: 162MC
What is Editing?
Editing is something that has always interested me, I’ve always seen it as a creative process, I like to experiment with footage and create something new and original. Something I found interesting when looking at When the Shooting Stops… The … Continue reading
Posted in 161MC2, 162MC
Leave a comment
Colour Correction
Colour Correction has always been something I’m interested in but I’ve never thought about how and why we use the tools we do. Usually I would simply play around with the settings not knowing what I will get, a trial and … Continue reading
Posted in 162MC
Tagged Adobe Premiere Pro, brightness, Colour Balance, colour correction, contrast, short film
Leave a comment
Till Death Do Us Part
Laura Mobbs reviewed my script and made a script report for me. I studied all of the comments that were presented and applied them to my second and final draft; the main issue was the title which has been changed … Continue reading
Posted in 162MC
Leave a comment
Script Report for Come on in
Come on in by Laura Mobbs Script Report by Charley Fletcher
Posted in 162MC
Leave a comment
3 Minute Drama Treatment
We begin with a middle aged man, Tom ending a phone call with his young daughter, assuring her he will see her soon. He looks worried and on edge, the room is darkening gradually as the sun sets slowly through … Continue reading
Posted in 162MC
Leave a comment
3 Minute Drama Outline
We begin with the man ending a phone call with his daughter, assuring her he will see her soon. The room darkens gradually as the sun sets through the window pane. The man is clearly on edge, pacing across the … Continue reading
Posted in 162MC
Leave a comment
3 Minute Drama Pitch
There is a hammering on a door, why? Dare the door be opened? If so what is revealed…. The sun is setting and there is a hammering on the door. The man knows he shouldn’t open it but he can’t just … Continue reading
Posted in 162MC
Leave a comment
“Because what’s the point in them being happy now if you know they’re going to be sad later?” 